Cirque Du Soleil Soundtracks

Cirque Du Soleil Soundtracks 4,6/5 1849 votes

Love Theatre at the Mirage Hotel The project arose from discussions in 2000 between and his friend, one of Cirque's founders. Three years of negotiations between surviving members of the Beatles, Sir and, The Beatles widows (representing George Harrison) and (representing ), the Beatles' holding company Apple Corps Ltd. And the culminated in an agreement. The first executive producer was, then-manager of Apple Corps Ltd. Dominic Champagne shares the show concept creator credit with Gilles Ste-Croix (a founder of Cirque), who is also credited as the director of creation.

The creation director is Chantal Tremblay. Tickets went on sale April 19, 2006. Preview performances ran from June 2 to June 29. During these shows, including June 16 and June 17 which were attended by McCartney, changes were made nightly based on audience reaction, cutting or adding sections to add polish. [ ] In attendance at the gala opening on June 30 were McCartney, Starr, Ono,,, Olivia and, and. It was the biggest reunion of the Beatles' 'family' since the band's breakup. At the end of the show, McCartney, Starr, Olivia, Ono and Martin went on stage.

The music turns lyrical and playful carryring Corteo through a timeless celebration in which illusion teases reality. The concept and disposition of the stage bring the audience in a theatrical atmosphere like never seen before in Cirque du Soleil arena shows.

McCartney requested the crowd, 'Just one special round of applause, for John and George!' [ ] On June 26, 2007 everyone met for the first anniversary of the show at, where the Love show is staged. McCartney, Starr, Olivia and Ono were interviewed by 's shortly before the show began.

The group unveiled a plaque at the Mirage Hotel in Las Vegas in memory of John Lennon and George Harrison. Starting in late October 2010, Cirque du Soleil offered backstage tours of the Love theatre. The experience allows visitors to see the backstage wings, training rooms, costume workshop, break area, and go up to a catwalk into the sound and lighting booths.

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Soundtrack

Not every experience will be the same, as the tour is conducted around a 'regular day', so performers may or may not be training, rehearsing, or even working out. Leading up to the show's 10th anniversary in July 2016, as of February 2016, producers are updating the production, including changes to imagery, costumes, and acts, as well as the addition and removal of pieces of music.

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Set and technical information [ ]. The Love stage moments before start of show; two of the scrims can be seen. Created by French designer Jean Rabasse, the Love theater at The Mirage houses 6,351 speakers and 2,013 seats set around a central stage. Each seat is fitted with three speakers, including a pair in the headrest. The sound system was designed by Jonathan Deans. The stage includes 11 lifts, 4 traps, and 13 automated tracks and trolleys. Each lift is capable of lifting 20,000 pounds The LOVE theatre features 32 digital projectors that are used in the show.

Everything is digital from source to screen, making very large high definition digital 100’ wide panoramic images. Video images on two walls above the audience on two sides of the auditorium emphasize elements of the show and provide transitions. High-definition projectors also create enormous images (designed by Francis Laporte) on four translucent screens that can be unfurled to divide the auditorium. The Love theater, which replaced the theater at The Mirage, is said to have cost more than $100 million. The theater is set up as a circular, with seats 360 degrees around the stage.

There are four balconies in the theater, and the furthest seat from the absolute center of the stage is only 98 feet. [ ] The closest seat to the absolute center of the stage is 23 feet and 4 inches, which is only 2 feet and 9 inches from the edge of the stage. [ ] Storyline [ ] The loose story of the production traces the Beatles’ biography in broad strokes from, through the band's founding and climb into superstardom, their psychedelic and spiritual works and their break-up in 1970.