Electronic year-ender 3. Ellen Allien, Thrills (Bpitch Control): Cranes like watchtowers dotted the Berlin of the '90s, and these uneven (re)building blocks contributed to the music of many German producers such as Bpitch Control label head Ellen Allien.

Alien is a program that converts between the.rpm,.deb, stampede.slp and slackware.tgz file formats. Ellen Allien, Thrills. Though increasingly rare. So it's nice to come across 'electronic' music so unabashedly the work of geeks using a mic as confessional/conduit in their bedroom(s.

Allien's third full-length exhibits a similar uneasy tug, swept by nervy synths atop cleft percussion. Melancholic and overdriven, existing between the Bpitch label's splenetic and kinetic strains of techno and electro, Thrills sometimes seems more concerned with headroom than main room, yet Allien's frosty austerity never overwhelms the CD's galvanic sweat-beaded contortions. Dominik Eulberg, Kreucht & Fleucht (Mischwald): For every musical genre there is a formative tipping point, an album that says almost more about the movement than it does about actual, well, movement. Kreucht & Fleucht, a digitally etched double CD mix by German producer Dominik Eulberg, may well be that collection for 'ketaminimal' house. Two discs loosely translated as 'Crawling' and 'Flying' feature artists like Alex Smoke, Trentemoller, Nathan Fake, Robag Wrume, Luciano and Wighnomy Bros. The mix explores the phantasmagorical state of German underground dance -- a haunted friction of clarity and clatter.

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Ewan Pearson, Sci.Fi.Hi.Fi Volume 1 (Soma): Though increasingly rare, all the great mix CDs have that moment when physiology and melody synchronize; these mixes don't differentiate between Balearic, Italo, arpeggiated and merely stabbing because your body doesn't distinguish between the beat(s) once it's incessantly jackin'. On Sci.Fi.Hi.Fi British expat producer Ewan Pearson achieves this peak-hour concurrence, establishing an electro-funk lockstep that he draws out for over an hour without drawing it thin. International remixers including Joakim, Serge Santiago, Random Factor, Riton, Mugwump and Pearson himself establish an exquisite, percolating thrust gliding from glistening to sleazy and back. Marc Leclair, Musique Pour 3 Femmes Enceintes (MUTEK): It's been a tough couple years for purists. The machinist proponents of 'IDM' and 'clicks + cuts' no longer hold the cachet they once did; how can they when there are such sassy new idioms as 'heroin house' and 'micro-goth' to sway people's attention toward the dance floor?

But every once in a while a CD comes along to show that the ghost in the machine is still being exercised, not exorcised. With these crumpled textures, Marc Leclair (a.k.a.

Akufen) edged out Monolake's Polygon Cities as the year's finest example of transmogrifying tonality, electrostatic topography and halo-pocked ultrasounds. This is a clear sign there is still a viable vocation in spatial relation. You have successfully signed up for your selected newsletter(s) - please keep an eye on your mailbox, we're movin' in! Richie Hawtin, DE9:Transitions (Novamute): Berlin-based and Canadian-bred techno producer Richie Hawtin doesn't think about his track selections as only a collection of X but also of Why. Why be constricted to a compact disc's 74-minutes and stereo separation? While tracking DE9:Transitions, Hawtin asked that very question, and using Ableton Live software, he renders an immersive affair that at times blasts out up to six simultaneous tracks. The result is never knotty, especially on the 96-minute surround sound DVD, which also features a short film documenting Hawtin's technical accomplishment.

The Remote Viewer, Let Your Heart Draw a Line (City Center Office): Admit it: You already assume every electrocoustic arrangement is the work of some isolated geek in a hushed huddle with a keyboard. So it's nice to come across 'electronic' music so unabashedly the work of geeks using a mic as confessional/conduit in their bedroom(s). This melancholic soft-focus folktronica -- the work of Craig Tattersall and Andrew Johnson, founding members of blip-bliss post-rockers Hood -- is a series of rich, resonant M#249m-like tones loosely sketched from piano, bass and guitar that palpitate even as they dissipate. Download file iptv untuk receiver citrix. Fragile as tundra grass, Let Your Heart Draw a Line features crackly drifts of drowsy sighs and bleary blinks that conjure a sepia-toned vulnerability.