And the burning of Rome, Altemus Edition, 1897. Illustration by M. Quo Vadis: A Narrative of the Time of Nero, commonly known as Quo Vadis, is a written by in. ' Quo vadis, Domine?' Is for 'Where are you going, Lord?' And appears in Chapter 69 of the novel in a retelling of a story from the apocryphal, in which Peter flees Rome but on his way meets and asks him why he is going to Rome.

Jesus says, 'If thou desertest my people, I am going to Rome to be crucified a second time', which shames Peter into going back to Rome to accept martyrdom. The novel Quo Vadis tells of a love that develops between a young Christian woman, Lycia (Ligia in Polish) and Marcus Vinicius, a Roman patrician. It takes place in the city of under the rule of emperor, c. Sienkiewicz studied the extensively before writing the novel, with the aim of getting historical details correct. Consequently, several historical figures appear in the book. As a whole, the novel carries a pro-Christian message. Published in installments in three Polish dailies in 1895, it came out in book form in 1896 and has been translated into more than 50 languages.

This novel contributed to Sienkiewicz's in 1905. Several movies have been based on Quo Vadis including two Italian silent films— and —a Hollywood production— —and an adaptation by:.

Contents • • • • • • • • • • Characters in Quo Vadis [ ] • Marcus Vinicius (fictitious son of the historical ), a military and Roman who recently returned to Rome. On arrival, he meets and falls in love with Lygia. He seeks the counsel of his uncle Petronius to find a way to possess her. • Calina (fictitious), usually known as Lygia (Ligia in some translations), the daughter of a deceased king of the, a barbarian tribe (hence her nickname). Lygia is technically a hostage of the, and was forgotten years ago by her own people. A great beauty, she has converted to Christianity, but her religion is originally unknown to Marcus.

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• Gaius (historical), titled the 'arbiter of elegance,' former governor of. Petronius is a member of Nero's court who uses his wit to flatter and mock him at the same time. He is loved by the Roman mob for his liberal attitudes. Somewhat amoral and a bit lazy, he tries to help his nephew, but his cunning plan is thwarted by Lygia's Christian friends. • Eunice (fictitious), household slave of Petronius. Eunice is a beautiful young Greek woman who has fallen in love with her master, although he is initially unaware of her devotion.

• Chilon Chilonides (fictitious), a and a. He is hired by Marcus to find Lygia. This character is severely reduced in the 1951 film and the 1985 miniseries, but in the novel itself, as well as in the Polish miniseries of 2001, Chilon is a major figure as doublecrossing traitor. His end is clearly inspired.

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• (historical), Emperor of Rome, portrayed as incompetent, petty, cruel, and subject to manipulation by his courtiers. He listens most intently to flatterers and fools. The novel does indicate, though, that the grossly exaggerating flatteries concerning his abilities as a poet actually have some basis in fact.

• (historical), the of the feared. He is a rival of Petronius for Nero's favour, and he incites Nero into committing acts of great cruelty. • (historical), the wife of Nero. She passionately envies and hates Lygia.

• (historical), an Imperial slave and former mistress of Nero. Nero has grown tired of her and now mostly ignores her, but she still loves him. She studies the Christian faith, but does not consider herself worthy of full conversion. In the 1951 film, it is she who helps Nero commit suicide. • (historical), a respected retired Roman general who commanded the invasion of Britain. Aulus seems unaware (or simply unwilling to know) that Pomponia, his wife, and Lygia, his adoptive daughter, profess the Christian religion.