On, Seth Rogen, Jonah Hill, Aziz Ansari, Bill Hader, Sarah Silverman, Andy Samberg, Nick Kroll, Natasha Leggero, and Jeffrey Ross all gathered in Culver City, California, for one reason: to roast James Franco. Rogen, who’d known Franco the longest after starring alongside him in Freaks and Geeks, was dubbed the roastmaster, and so he was the first to take the mic. His first joke was about Franco’s sexual kinks; his second was about how bad of a writer Franco is; his third joke was about Franco maybe being gay and definitely making terrible movies. At that point, because he’s a nice person who genuinely seems to love his friends and bristles at making fun of them, Rogen laughed nervously and threw his hands up, almost in apology. Then he said the most revealing thing about James Franco that would be said during the entire roast. “ You asked us to do this, man.” Ever since Franco “became a scholar” in 2006—going to UCLA, USC, Yale, NYU, and other institutions over the last decade to study writing, pursue a PhD in English, and teach film—he’s been one of our most inscrutable and persistent celebrities. Every day of the week he’s a different person.

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On Monday he’s making a. On Tuesday he’s a stoner comedian. On Wednesday he’s writing a for The Huffington Post. On Thursday he’s being nominated for an Academy Award for acting in a Danny Boyle movie.

On Friday he’s (and then ). On Saturday he’s. Then on Sunday, he’s hosting the Oscars with his eyes closed, hanging Anne Hathaway out to dry. His self-awareness seems to come in spurts: He’ll ask to be roasted, or do a clever episode of 30 Rock spoofing his persona and the speculation surrounding his sexuality (which he has always been ), and then go off and. Every once in a while a reasonable, down-to-earth person will crystallize in the form of James Franco, which makes all of his absurd, vapid artistic pursuits and about Kristen Stewart in Snow White and the Huntsman that much more frustrating. Franco is easy to mock, and he has been over the course of the last decade. But heading into the last quarter of 2017, the vitriol for Franco is running into a force that, until now, it has rarely had to go up against before: critical praise.

The actor currently stars in HBO’s The Deuce, the series from David Simon and George Pelecanos about the underbelly of 1970s New York City. Not only does Franco play the hardworking and benign Vince Martino, he also plays Frankie, his greasy twin brother. Enlisting the most gimmick-prone actor of our generation to play two characters sounds like a gimmick—and to some extent, it plays that way on The Deuce—but Franco, at least according to critics, is pulling it off. “Franco’s weaselly smarm works perfectly as rat fink Frankie, and he brings a smear of buttery tenderness to Vince,” Rachel Syme writes for.

Indeed, Franco’s acting in The Deuce has not been disparaged as another notch in his overly pretentious belt, but instead elevated as a feat of craftwork. ’s Ben Travers called Franco “terrific” and lauded the way he “crafts each character to believable extremes,” while ’s Sonia Saraiya noted: “To Franco’s credit, each Martino is a credibly unique performance.” The Ringer’s Paolo Uggetti, meanwhile, said he “loved the mirror scene” featuring the twin Francos in the pilot of The Deuce. Minutes later, our editor-in-chief, Sean Fennessey, flat out declared, “I have decided to go all-in on Franco, perhaps to my detriment.” And then there’s The Disaster Artist, the film starring and directed by Franco about the making of Tommy Wiseau’s disastrously good/bad 2003 movie The Room. Since it debuted at South by Southwest in March, The Disaster Artist has received rapturous festival reviews and been. The man who made the abominable As I Lay Dying will surely be kept out of the Best Director race, but A24 giving The Disaster Artist an early December release date is proof they believe the movie can pick up nominations elsewhere. And about Franco method acting and staying in character as Wiseau throughout production are evidence he’ll at least compete for consideration.